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The sculpture represents what one might
see through a telescope when watching a far-away galaxy which from the time
of its inception continuously grows from the inside out, looking like a huge
agitated mass. The background of the sculpture represents a stirring motion,
matching the design on the floor. In the lobby of the building, the floor
is made of local marble, combined with imported, brown shaded marble, in the
shape of the stirring motif. In the center of the stirring design is a verse
written in copper lettering: "to build the house of carved stone"
(Kings 1, 5:31). A large modern builders' perpendicular
or plumb bob hangs over the middle stirring assembly, representing a
connection between the ancient and modern building professions. The main
sculpture combines the words of the verse "four copper wheels to each
machine" (Kings 1, 7:30), describing the ritual instruments in use in
the Temple, as well as the industrial neighborhood of today's Talpiot. Four
cogwheels are connected to one, as a modern interpretation to the ancient
verse. Are
you interested in Udi's books on genealogy? Then click here and hold your
breath! Perhaps you are
interest in Udi's personal genealogy? If yes, please click here! |
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PomPi d'ou (1989) |
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Le Grand CHARLLES (1989) |
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Le Grand CHARLLES (1989) |
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Domestic Quasar (1989) |
Two hundred ninety and nine millions From a flow of corpuscles stream – An old quasar with his sole eye winks And there was light and let there be night |
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Spring Time (1992) |
In spring time, the only pretty ring time,
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Four Copper Wheels to Each Machine (1994) |
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Four Copper Wheels to Each Machine (1994) |
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Four Copper Wheels to Each Machine (1994) |
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Mšbius ex-machina (2004) |
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Mšbius ex-machina (2004) |
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Pendulumantis (2005) |
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Pendulumantis (2005) |
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Ironic Tree (Adansonia digitata Ferrum) (2007) |
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May Flowers (2009) |
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These "sculptural mutations" are a
bit like "the immortal kitsch"; but they contain a deeper meaning
too. Objects from different times and cultures are used to form a double
meaning in a different connotation of language or culture. By mixing objects
of different cultures and periods, this kind of art is an antithesis to
culture and to art itself. |
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Fire!
(1988) |
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Jouster Joe Pops the Pope (1988) |
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Buccinal-Trumpery
(1988) |
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Relatively Totem
(1988) |
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Chairman
of the Board (1989) |
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Horscope
(1989) |
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Egregious
(1989) |
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Niagara
(1989) |
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RICHARD GEAR
(1989) |
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Piss-Off
(1992) |
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Perpetuum-Mobile
(1992) |
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All
My Eggs (1992) |
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Handicap
(1992) |
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Headache /
Capsulitis (1992) |
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Picklock
(1992) |
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(1992) |
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King
Saul (1992) |
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Horsefeathers
(1992) |
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A Horse of Another Color (1992) |
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Roll-Britania
(1993) |
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Penicillate
(1993) |
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Pistil
(1993) |
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Algometer
(1994) |
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Little
Green Ming (1996) |
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CanÕt
Make Head or Tail of It (1998) |
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Slow
Pigeon (1999) |
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Slow
Pigeon (1999) |
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A Gesture to Ladino (2005) |
Translation: |
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Who
can afford an odd old Ford (2006) |
A. "Any customer can have a car painted any color
that he wantsÉ" B. Sic Transit Gloria Mundi |
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Cutterpeeler
(2006) |
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Little
Green Man (2008) |
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Maimonides
(2008) |
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Maimonides
(2008) |
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Little
Green M.E.N (2009) |
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Deus
Ex Machina (2010) |
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Deus
Ex Machina (2010) |
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Deus
Ex Machina (2010) left: The
Canaanite god ÒReshefÓ from 3000 BCE right: Motometer,
Dog Bone Hood Ornament Radiator Mascot / Thermometer by ÒAmericanÓ from 1920
CE |
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Memo
(2010) |
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Hade Emblems
(2010) |
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An anti – Lope (Neapolitan) (2010) Game instructions |
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Old drawings
The
Watermelon Eater
(1971)

Pets (1971)

Zoo Walker (1971)

Through the Looking Glass (1971)

Fast Food (1971)

Fish Eye (1971)

Udi Cain (Ehud Chaikin) chaikin@netvision.net.il

Photos by Hanan Dynel.